icon

Usetutoringspotscode to get 8% OFF on your first order!

Theatre

For this assignment, you are the playwright!

You will write a three-page play with the following criteria:

  1. Use only two characters. Make sure the protagonist/antagonist relationship is clear. With only two characters, this should be easy to do.
  2. Follow PASTO. Make sure every element is represented.
  3. Use 12-point font, one inch margins on all sides, and double-space (publisher’s format, like the plays in your text).
You can leave a response, or trackback from your own site.

Leave a Reply

theatre

theatre

Please read the instruction carefully. I dont want any sources or references on this essay. Its a discussion question so “NO SOURCES”Thank you
Stanislavski developed a series of exercises and techniques for performers.
1) Must always maintain a state of physical and vocal relaxation: this means that unwanted tension has to be eliminated and that the performer must all times attain a state of physical and vocal relaxation
2) Find the character’s inner truth: means their thought and emotions
3) Perfect their ability to play within an Ensemble: means that performers do not act alone; they interact with other people. Stanislavsky was aware that many performers tend to stop acting, or lose their concentration, when they are not the main characters in a scene or when someone is talking. This tendency destroys the through line and causes the performers to move into and out of a role. That, in turn, weakens the scene of ensemble-the playing together of all the performers
4) Develop their own importance of specific/express specific emotions terms of specific details: this means that a performer should never try to act in general, he said, and should never try to convey feeling such as fear or love in some vague, amorphous way. In life, Stanislavsky said, we express emotions in terms of specifics, performers must find similar concrete activities. The performer must also conceive of the situation in which a character exists-what Stanislavsky referred to as the given circumstance-in terms of specific
5) Discover their character’s given circumstances. Must explore the What? Why? How? Any scene: this means that the performer’s attention must always be focused on a series of physical actions linked by the circumstances pf the play
Which of these excercises/techniques do you think is most important for the actor? Why?

Responses are currently closed, but you can trackback from your own site.

Comments are closed.

theatre

theatre

Please read the instruction carefully. I dont want any sources or references on this essay. Its a discussion question so “NO SOURCES”Thank you
Stanislavski developed a series of exercises and techniques for performers.
1) Must always maintain a state of physical and vocal relaxation: this means that unwanted tension has to be eliminated and that the performer must all times attain a state of physical and vocal relaxation
2) Find the character’s inner truth: means their thought and emotions
3) Perfect their ability to play within an Ensemble: means that performers do not act alone; they interact with other people. Stanislavsky was aware that many performers tend to stop acting, or lose their concentration, when they are not the main characters in a scene or when someone is talking. This tendency destroys the through line and causes the performers to move into and out of a role. That, in turn, weakens the scene of ensemble-the playing together of all the performers
4) Develop their own importance of specific/express specific emotions terms of specific details: this means that a performer should never try to act in general, he said, and should never try to convey feeling such as fear or love in some vague, amorphous way. In life, Stanislavsky said, we express emotions in terms of specifics, performers must find similar concrete activities. The performer must also conceive of the situation in which a character exists-what Stanislavsky referred to as the given circumstance-in terms of specific
5) Discover their character’s given circumstances. Must explore the What? Why? How? Any scene: this means that the performer’s attention must always be focused on a series of physical actions linked by the circumstances pf the play
Which of these excercises/techniques do you think is most important for the actor? Why?

Responses are currently closed, but you can trackback from your own site.

Comments are closed.

Powered by WordPress | Designed by: Premium WordPress Themes | Thanks to Themes Gallery, Bromoney and Wordpress Themes