The political and cultural context in the French New Wave Cinema

Order Description

Papers should be no less than 8, no more than 10 pages long, typed and double- spaced (i.e. between 2000-2500 words). Essays are required to refer to at least three texts/authors.

Required text: Geoffrey Nowell-Smith. Making Waves: New Cinemas of the 1960s. Bloomsberry Academic, 2013 new revised edition.

Naomi Green on The French New Wave. http://cup.columbia.edu/book/the-french-new-wave/9781905674121.

James Tweedie. The Age of New Waves. Art Cinema and the Staging of Globalization. Oxford U Press, 2013.

Films: Breathless (1960 film) by Jean Luc-Godard
The 400 Blows (1965 film) by François Truffaut
Belle de Jour (1967) by Luis Buñuel, France
Masculin Féminin (1966) by Jean-Luc Godard
Cléo from 5 to 7 (1962) by Agnes Varda Chronicle of a Summer. (1961)by Jean Rouch & Edgar Morin.

The political and cultural context in the French New Wave Cinema

Order Description

Papers should be no less than 8, no more than 10 pages long, typed and double- spaced (i.e. between 2000-2500 words). Essays are required to refer to at least three texts/authors.

Required text: Geoffrey Nowell-Smith. Making Waves: New Cinemas of the 1960s. Bloomsberry Academic, 2013 new revised edition.

Naomi Green on The French New Wave. http://cup.columbia.edu/book/the-french-new-wave/9781905674121.

James Tweedie. The Age of New Waves. Art Cinema and the Staging of Globalization. Oxford U Press, 2013.

Films: Breathless (1960 film) by Jean Luc-Godard
The 400 Blows (1965 film) by François Truffaut
Belle de Jour (1967) by Luis Buñuel, France
Masculin Féminin (1966) by Jean-Luc Godard
Cléo from 5 to 7 (1962) by Agnes Varda Chronicle of a Summer. (1961)by Jean Rouch & Edgar Morin.