DISCUSSION PROMPT As we have observed and read so far in the course, much of what contributed to the unique “look” of so many classic films noir during the 1940s and early 1950s was the interesting combination of, and the interplay between, light and shadow by directors like Billy Wilder, Fritz Lang, Edgar G. Ulmer, Anthony Mann, and John Huston. For this assignment, pick one of the movies we have watched – either Detour (1945), Raw Deal (1948), or Night and the City (1950) — choose one specific scene that displays an interesting combination of light and shadow, and develop a brief discussion (2-3pp. doublespaced. Thoughtful titles, font size no larger than #12, uniform 1” margins around all four sides of the page please) of it with specific regard to how light and shadow function in your chosen scene. To help get you started, consider the following: How might a director’s or cinematographer’s use of both light and shadow help tell a particular story? What might light and shadow suggest about particular characters or situations onscreen? What kinds of feelings might these visual devices invoke in viewers? Discuss!