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“The Dinner Party” by Mona Gardner tells a story about a social gathering in India. Read the story. Then, write an essay in which you discuss how the author uses the characters in the story to express a message. Support your ideas with examples

“The Dinner Party” by Mona Gardner tells a story about a social gathering in India. Read the story. Then, write

an essay in which you discuss how the author uses the characters in the story to express a message. Support

your ideas with examples and details from the story. Do not merely summarize the story. Remember that your

response will be evaluated in two ways – on your understanding of the story and on the quality of your writing.

The country is India. A colonial official and his wife are giving a large dinner party. They are seated with their

guests—army officers and government attachés and their wives, and a visiting American naturalist—in their spacious

dining room, which has a bare marble floor, open rafters and wide glass doors opening onto a veranda.

A spirited discussion springs up between a young girl who insists that women have outgrown the jumping-on- a-

chair-at- the-sight- of-a- mouse era and a colonel who says that they haven’t.

“A woman’s unfailing reaction in any crisis,” the colonel says, “is to scream. And while a man may feel like it, he

has that ounce more of nerve control than a woman has. And that last ounce is what counts.”

The American does not join in the argument but watches the other guests. As he looks, he sees a strange

expression come over the face of the hostess. She is staring straight ahead, her muscles contracting slightly. With a slight

gesture she summons the native boy standing behind her chair and whispers to him. The boy’s eyes widen: he quickly

leaves the room.

Of the guests, none except the American notices this or sees the boy place a bowl of milk on the veranda just

outside the open doors.

The American comes to with a start. In India, milk in a bowl means only one thing—bait for a snake. He realizes

there must be a cobra in the room. He looks up at the rafters—the likeliest place—but they are bare. Three corners of the

room are empty, and in the fourth the servants are waiting to serve the next course. There is only one place left—under

the table.

His first impulse is to jump back and warn the others, but he knows the commotion would frighten the cobra into

striking. He speaks quickly, the tone of his voice so arresting that it sobers everyone.

During the time this story takes place, India was a British colony. The colonial official works for the British

government in India. The government attachés work for another country’s embassy in India. Finally, a naturalist is

someone who studies animals and plants.

“I want to know just what control everyone at this table has. I will count to three hundred—that’s five

minutes—and not one of you is to move a muscle. Those who move will forfeit fifty rupees. Ready!”

The twenty people sit like stone images while he counts. He is saying “. . . two hundred and eighty. . .” when, out

of the corner of his eye, he sees the cobra emerge and make for the bowl of milk. Screams ring out as he jumps to slam

the veranda doors safely shut.

“You were right, Colonel!” the host exclaims. “A man has just shown us an example of perfect control.”

“Just a minute,” the American says, turning to his hostess. “Mrs. Wynnes, how did you know that cobra was in the

room?”

A faint smile lights up the woman’s face as she replies: “Because it was crawling across my foot.”

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